Often everyday experiences provide poets with inspiration. Here Georgiana Cohen observes a woman looking out her window and compares the woman to the sunset. The woman's "slumped" chin, the fence that separates them, and the "beached" cars set the poem's tone; this is clearly not a celebration of the neighborhood. Yet by turning to clouds, sky, and breath, Cohen underscores the scene's fragile grace.
Old Woman in a Housecoat
An old woman in
a floor-length housecoat
has become sunset
to me, west-facing.
Turquoise, sage, or rose,
she leans out of her
second floor window,
chin slumped in her palm,
and gazes at the
fenced property line
between us, the cars
beached in the driveway,
the creeping slide of
light across shingles.
When the window shuts,
dusk becomes blush and
bruises, projected
on vinyl siding.
Housecoats breathe across
the sky like frail clouds.
Reprinted from "Cream City Review," 2004, by permission of the author, a writer and journalist living in Boston. Â Poem copyright 2004 by Georgiana Cohen. This weekly column is supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska, Lincoln. This column does not accept unsolicited poetry.
Also at Virtual Grub Street by/about Ted Kooser:
- American Gothic (a review of Delights and Shadows by Ted Kooser. Copper Canyon Press, 2004);
- Ted Kooser and the American Life in Poetry column;
- American Life in Poetry #32: Kurt Brown;
- American Life in Poetry #31: Gloria G. Murray;
- American Life in Poetry #30: Naomi Shihab Nye;
- American Life in Poetry #29: Debra Nystrom;
- American Life in Poetry #28: Ron Rash;
- American Life in Poetry #17: Wendell Berry;
- American Life in Poetry #11: David Wagoner;
- American Life in Poetry #10: Marge Piercy;
- American Life in Poetry #4: Ruth Stone;
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