Hollar Engraving of the Holy Trinity Church Shakespeare Monument executed from the sketch of William Dugdale. |
Previously in this series on the Stratford-upon-Avon Shakespeare Monument:
Several weeks ago, I posted Waugh-Bate Debate #2 [link] explaining why one of Dr. Bate’s “facts” in the Great Debate was in fact not a fact. Relating, as it did, to the Stratford Shakespeare Monument, at Holy Trinity Church, I went on to discuss burial practices at the time of the Stratford man’s death, in my next post What Hamlet’s Gravedigger Teaches Us [Link].
In the latter post, I promised to next “examine the theory that the
monument actually first belonged to William Shakspere’s father, John.” Richard Kennedy first made the claim, in
2006, that the figure in the niche at Holy Trinity was not William Shakspere,
of Stratford-upon-Avon, but his father John.
It gained such attention that even Dr. Bate and Stratford curmudgeon Stanley Wells were unable to remain silent on the matter [Link]. Letters were exchanged in
The Times.
The John Shakspere "Woolpack Man" theory seems to have faded away. Most of the Internet texts and chatter exist
no longer. I suspect that Mr. Kennedy and
his supporters will feel that, under the circumstances, I cannot possibly do it
justice.
But what remains does not so much suggest the theory needs to be
refuted in its specifics but that positive facts need to be presented in favor
of the monument having definitively been constructed for William. Towards this end, a more probable alternative
explanation for John Shakspere’s burial needs to be presented. This I began with Hamlet’s Gravedigger.
There are small mysteries enough about the graves below the
Shakespeare niche. None of them,
however, changes the fact that the niche is surrounded by the wife and children
of William Shakspere, not John. Mary
Arden, John’s wife, is nowhere to be found.
Instead we find William’s wife Anne.
William’s brother, and business partner, Gilbert is nowhere to be
found. Only Susanna, adult daughter of William
and Anne, and her spouse and son-in-law are found.
But it is a similar lack that tempts us to theorize that John Shakspere
could rest somehow beneath the monument or in the grave beside Anne which goes without a name. That and the
need to explain the Dugdale sketch of the figure in the niche of the
Shakespeare monument. The imagination
abhors a vacuum. Or we can say that it “loves”
a vacuum for giving it free play. The
vacuum, in this instance, was the lack of a grave for the elder Shakespeare,
the lack of a specific name on the grave below the niche on the far side of
Anne Hathaway-Shakespeare and the need to explain the anomalous “sack” upon
which the figure in the niche was resting his arms.
I have referred to the sack in question as a sack of grain. This cannot be placed entirely beyond
dispute. The woolsack of Mr. Kennedy’s
theory is possible and could suggest John Shakspere who was a wool broker as
well as a glover and a usurer. William,
on the other hand, was a grain broker, quite possibly a usurer, a real estate speculator
and investor in theater shares. For
those who love the idea that the Stratford William wrote the works of
Shakespeare, it is sacrilege to assert that the sack was ever anything but a
writing cushion (whatever precisely might possess one to write upon a cushion). So then, the sack could be any one of several
things and can be of no determinative value.
William’s grain brokering, however, is of great importance
here. We are told for centuries, by the
representatives of Holy Trinity Church, in Stratford, and our best Shakespeare
scholars, that William Shakspere had a right to burial in the church by virtue
of having purchased one Ralph Hubaud’s half-share of the Trinity Church
tithes in 1605. The reason there was a need to
sell the tithes is that they were paid in kind.
The Great Tithe was paid in grain and hay. The Lesser Tithe raised a much smaller amount
and was paid in other farm products (including wool). The church needed a quick and convenient way
to turn the goods into cash for its coffers.[1] The way they did this was to sell (i.e. lease
the rights to) the goods to someone who would resell them for a profit. For these reasons, I have grown in the habit
of calling the sack a “sack of grain”.
It was the symbol of his right to burial within the church as well as
his brokering wealth.[2]
But what of the statue William Dugdale sketched during his visit to
Holy Trinity in 1634? Even Oxfordians
are shocked to think that the likeness is of William. Surely it was an older, less sophisticated man. Surely it was his father John.
But no. The likeness is not necessarily
inconsistent with an image of the sophisticated commoner of the time. Dugdale’s sketch could be a very rough
approximation of the Stratford man. The
epitaph that Shakspere chose for his gravestone rounds out a very
recognizable scene:
Good friend, for Jesus' sake forebeare
To digg the dust enclosed heare;
Bleste be the man that
spares thes stones,
And curst be he that moves my bones
I have already declared my understanding, in my Edward de Vere was Shakespeare: at long last the proof, that the old statue probably had little or
nothing more than the bare name of its owner and the epitaph is original. The rest declaring him “GENIO SOCRATEM,”
etc., was
later added to the monument.
[1] Shakespeare
Documented. “Assignment from Ralph
Hubaud of Ipsley, esquire, to William Shakespeare of Stratford-upon-Avon,
gentleman, of a lease of a half-share of the great tithes of Old Stratford,
Welcombe and Bishopton, and the lesser tithes of the whole parish.” http://www.shakespearedocumented.org/exhibition/document/assignment-ralph-hubaud-ipsley-esquire-william-shakespeare-stratford-upon-avon. 'the great tithes, on grain and hay, for Old Stratford, Bishopton and Welcombe,
and what became known as the “lesser” tithes, on wool, lambs and other minor
produce such as eggs and dairy produce of the whole parish'. The wool still keeps the idea of the
wool-sack alive as a Shakespeare family symbol.
[2] Ibid. The description, here, of the various
transactions correctly states that Shaksper’s son-in-law John Hall surrendered
the lease in 1625 but gets the amount of the bond wrong by an order of
ten. Hubaud’s performance bond was for £80.
- Waugh-Bate Debate #2: the Facts of John Weever's Transcription. June 24, 2018.
‘“Let us begin with the facts,” Jonathan Bate quite rightly suggests as he launches the initial salvo of his argument for William Shaksper as the poet and playwright William Shakespeare. His years of public speaking serve him well as he launches into his opening statement in the recent debate between himself and Alexander Waugh. What could argue his case better, or more simply, than "the facts"?’
- The Great Waugh-Bate Debate #1: Steven Steinburg’s Rebuttal and Alexander Waugh’s Encrypted Polimanteia. February 01, 2018. “All of this said, I felt that Alexander Waugh started off slowly but continually grew stronger as the debate proceeded. He did well. Jonathan Bate, on the other hand, is a much more effective public speaker. For all of his many errors, he probably appeared to the general public to be the more knowledgeable party.”
- Thomas Churchyard in The Merry Wives of Windsor. June 04, 2018. “The idea of this stratagem, &c. might have been adopted from part of the entertainment prepared by Thomas Churchyard for Queen Elizabeth at Norwich:…”
- Check out the English Renaissance Article Index for many more articles and reviews about this fascinating time and about the Shakespeare Authorship Question.
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