One or two people have been members of both groups for some
time now. Their numbers being small, and the individuals being among the less
fierce, the results have actually been quite positive. The result was actually more
or less constructive debate. Another Oxfraudian applied to become a member but
I put him on hold while I finished up one or another project and prepared to
spend a good deal more time moderating the group than I had theretofore. He
chose to withdraw his request.
As fate hovered over my humble effort another group whose
administrator was resoundingly pro-Stratfordian began to accept Authorship posts
a year or two ago. I looked on from time to time. The comment threads wound on
endlessly, never touching on detail analysis, as usual. The Oxfraudians supplied,
as always, the Sadists in the play, and the Oxfordians the Masochists. Certain
more shameless Oxfraudians gloried in throwing scat like so many monkeys with
sounds that amounted to little more than simian chatter.
In short, the dynamic I had observed in so many debates, in
so many groups, over so many years remained unchanged. Social media debates are
not meant to ever be resolved. Instead their great value is in attracting
attention of others who might pass nearby. Some number of which will join in.
Ironically, for Oxfraudians the value is just the opposite. Throw enough scat
and most passersby will think of Authorship debate as offensive and want to
hear no more of it ever. Mission accomplished!
Still, I could not
help but try to introduce the untenable. Some Oxfraudian natural genius was
going on about how Shakespeare, the supposed expert who had lived some months in
Venice, allowed a horse in the city when such were strictly forbidden there by
law. The reference was to words of the character Gobbo from The Merchant of
Venice:
thou hast got more hair on thy chin
than
Dobbin my fill-horse has on his tail.
Aha! Seems Shakespeare didn’t know Venice in the least!
But Dobbin is not with Gobbo. The old man has brought his
goods in a basket. Dobbin is presumably back on the farm. There being no farms
in the city of Venice, either, Voila! Dobbin is never in Venice. Whether
Shakespeare specifically knew the statute or not, he had accurately portrayed the
horseless provision of farm produce to
Venice from the mainland.
Several other gaffs were similarly easy pickins. That
portion of the thread went silent. I went back to check again for replies
and found that the post and all of its comment
threads had been deleted. The Oxfraudians were once again undefeated. Yet
another of the essential lessons of online Authorship debate was reinforced.
So the reader can imagine my eye-roll when the following was
added to the debate on Tudor Topics:
and did they call their horses (banned in Venice since 1392)
"Dobbin" like Launcelot's dad in The Merchant of Venice? The Dobbinae
were a native British tribe at the time of the second Roman Invasion.[1]
And my sense of the hopelessness of resolving even the
smallest point when replies can be disappeared by all parties.
I’d ask for a citation vis-à-vis the Dob(b)inae, who briefly
appear on the Internet as a Germanic tribe located in what is now modern Bulgaria,
if it seemed to any point. Utterly fascinating, regardless, that Shakspere apparently
learned of their ancient role in Stratford from the local grammar school.
As is pretty much always the case, I was toiling away in the
mines of Tudor history at the time a hot Authorship S&M session began — this time on
my own group page. Every time I get started, some new discovery requires undivided
attention, which leads to another new discovery, etc., some new closely printed
text being downloaded and feverishly interrogated, the answers carefully noted.
On this occasion I was following up on a close examination
of the texts of Robert Greene. Some have advanced the works under that name as
actually having been written by Edward de Vere. It is essential to take such
opportunities to drill down into the works of other Tudor authors major and
minor. None of it, however, is the stuff of hot debate. I’ve added considerably
to my hoard of knowledge. The two articles that have so far resulted, however,
have received only a tiny portion of the traffic that went to the melee.
That, too, has been a persistent lesson of the social media
Authorship debate. It can only rarely be about facts rather than fury if it is
to attract interest. It must be about talking points, passion and insults. It
is possible that fact-based articles would get even less traffic without the
endless brabble.
If each of the emotionally fraught combatants throws a bit
of money into the pot the result might fund a documentary that is careful to
repeat the standard talking points backed by attractive visuals or an annual conference
careful not to step on the theory of any paying member. It is important to be
careful of the various (sub-)topical niches if you don’t want your own to be
dismissed. Such is the basis of
successful contemporary scholarship.
Innocent passersby the Tudor Topic group, however, deserve
better than sudden eruptions of fury and scat. It is designed to be a
blended group. Too often Authorship
types tend to assault rather than blend.
I have instituted a policy of moving endless and/or fraught Authorship
debate threads from Tudor Topics to my dedicated, Authorship-only Edward de Vere was Shakespeare Group. I cannot give continuous time to refereeing debates.
This suggests that the Edward de Vere was Shakespeare Group together with
a bit more attention is the place and
the way to continue them should they get to be too much for general company.
This will be done by turning off commenting at Tudor Topics
and linking to the post from Edward de Vere was Shakespeare where the comment
threads can be taken back up and the original post accessed. I will leave a
final comment instructing participants where they can continue their debate.
Civility will still be required and ad hominem attacks still
forbidden however much there may be a delay in enforcement. Issue a complaint if
you feel the rules have been broken and hope to speed up the process.
In the meantime, Greene’s far closer imitation of Lyly’s Euphues
novels than Shakespeare’s needs a final
bit of detail work before I post the next article. Just how it all ties-in to
identifying the authors of various contested plays will possibly have to wait
until some future issue of the Shakespeare Authorship In-Progress series.
[1] Leadbetter,
Mike. https://www.facebook.com/groups/364900793683672/posts/2442248612615536/?comment_id=2443832732457124
Also at Virtual Grub Street:
- Edward de Vere and Marlowe’s Dido of Carthage. July 5, 2022. “It was an historical effort and an historical two years for Elizabethan theater.”
- The Character Montano, in Hamlet, and Polonius’ Famous Advice. May 25, 2022. “The reader may recall that Polonius calls upon Reynaldo to suggest to Laertes’ friends that he is privy to minor misbehaviors, at which he winks,…”
- The Death of Sir Edward Vere, son of the 17th Earl of Oxford and Anne Vavasour. May 8, 2022. “Mr. Sedgwick wrote to me for a prayer for Sir Edward Vere.”
- How Shakespeare gave Ben Jonson the Infamous Purge. November 7, 2021. “Of course, De Vere could not openly accuse Jonson of having outed him as Shakespeare.”
- Enter John Lyly. October 18, 2016. "From time to time, Shakespeare Authorship aficionados query after the name “John Lyly”. This happens surprisingly little given the outsized role the place-seeker, novelist and playwright played in the lives of the playwright William Shakespeare and Edward de Vere."
- Check out the Shakespeare Authorship Article Index for many more articles and reviews about this fascinating time and about the Shakespeare Authorship Question.
- Check out the Letters Index: Edward de Vere, 17th Earl of Oxford for many letters from this fascinating time, some related to the Shakespeare Authorship Question.
2 comments:
Well you might not have been able to find any Dob(b)inae on the internet (just as no one can find the equine Dobbin in Venice) but the Roman volume (1) of the Cambridge History of England will give you details of who they were and where in Britain they lived.
MoV has lots of references to things like senators, which Venice didn't have and misses lots of things that they did, like an elected Doge and a ghetto. Dramatic licence.
But never mind. Welcome news for you. The new Oxfraud site will not have commenting and we are drawing in our horns. It will be titled Shakespeare and The Death of the Authorship Question and will seek to autopsy a debate which has had its time.
Careful: the death of the authorship question will be the Oxfordian triumph. Reminds me of King Croesus whom the Oracle told that his forthcoming invasion wd be the death of an Empire. He didn't realise it was his!
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